Mallarme uses space to demonstrate
nonsense. This is because the objects within it or those surrounding it define
space itself. Mallarme uses this definition of space to his advantage in that
he leaves it blank. The words sometimes sway back and forth upon the page but
never seem to stay within one defining place on the space itself. For instance, “
WHETHER
The
Chasm
Whitish
Fulltide….”
(Mallarme, 164).
Therefore, the space itself speaks to the
reader of those unsaid and said in that the space is defined entirely
separately from the words. Space is the silence heard in a ‘Dice Throw’, it’s
the silence that we hear in the pauses of the poem. It is these silences that
become important to essential nonsense that Mallarme invokes. The silences work
with Mallarme’s random capitalization as well. The capitalization that Mallarme
invokes interrupts the sensical pattern of the poem itself. For example, “THE
NUMBER/MIGHT HAVE EXISTED/except as the fragmentary hallucination of some death
throe…”(Mallarme, 177). It allows
for the silences to speak as well, as it shows how loud those silences can be
even when the smallest of whispers are heard.
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