One of the ways of figuring out the purpose of author in his
or her writing or the theme of a literature is to connect sentences, phrases
and words together. This process is crucial especially in poems since, compared
to other type of literature including such as novel, poems are consisted of
less lines and sentences. Therefore, associating meanings of words and each
line together in poems is more important than any other types of literature
because readers have less context clues in finding themes. The easiest way of
analyzing poem is utilizing and connecting each line in individual stanza and
associate themes from each stanza to build one unitary theme.
However, John Ashbery, who is one
of the most famous avant-garde American contemporary poets, completely ignores
the traditional ways of writing poems and has developed his own techniques in
constructing hid poems so that readers cannot follow the real intention of his
works. Ashbery’s collection of poems called The
Tennis Court Oath is characterized by surrealistic components that make
readers hard to understand the theme of each poem. The most distinct techniques
he has developed throughout his poems are automatic writing and use of memories
in his poems.
Like other surrealist authors,
Ashbery uses automatic writing in his poem in order to show the nature of
human’s thought process which is usually unorganized and led by chance. One of
Ashbery’s poems called Thoughts of a
Young Girl is a good example of automatic writing.
“It is such a
beautiful day I had to write you a letter
From the tower, and to
show I’m not mad:
I only slipped on the
cake of soap of the air
And drowned in the
bathtub of the world.
You were to good to
cry much over me.
And now I let you go.
Signed, The Dwarf.”
The first two sentences of this stanza are telling about why
the speaker of this poem wants to write a letter. However, soon the speaker
suddenly shifts his or her thought of writing a letter to the thought of the
cake of soap of the air. Then the speaker creates another sharp change in his
or her thought to “you” and the “Dwarf”. This stanza does not have a specific
theme but rather Ashbery illustrates automatic writing that does not come from
the conscious thoughts of the writer. Since Ashbery uses automatic writing and
chance operation in his poem, each line of the stanza does not associate each
other and impossible to make connection between lines.
Also, according to
Andre Breton, the definition of surrealism is a combination of reality and
dream like state. This characteristic of surrealism is also well developed in
Ashbery’s work. For instance, Ashbery inserted one of his childhood memories in
the middle of the poem called How Much
Longer Will I Be Able to Inhabit the Divine Sepulcher. In this poem,
Ashbery starts the poem by talking about light and darkness, which are coming
from sepulcher, and then suddenly talks about his memories, which are based on
his real stories. Therefore, Ashbery’s association of unreality, which is
represented by sepulcher, lights, and darkness, and the reality, which
demonstrated by his memory of childhood, follows one of the most important concepts
of surrealism, which is the mixture of reality and unreality.
This analysis is definitely better than mine, that's for sure. One thing that sort of irks me, though, is how often chance operation is brought up in this class, and when you mentioned it in your post, that got me thinking. I'm seriously questioning to what degree Ashbery uses chance operation in this poem. I'm of the opinion, especially in regard to the excerpt that you used in your post, that the whole chance and/or free association thing is heavily exaggerated. The words he uses don't use conventional verse or prose or anything like that, but there is still a point in there. I know I always make this comparison whenever I say anything ever, but this is like a more cohesive version of Gertrude Stein, and there is still a point to this poem, as well as the rest of this chapbook, in comparison to Tender Buttons where words that are even remotely associated with whatever object she so chooses to describe are just sort of thrown into the reader's face. I think the excerpt you gave as a sort of tragicomic-surrealist hybrid of the the actual thoughts of a young girl, and that Ashbery is attempting to pry into this sort of thing on the weirdest points, for lack of better phrasing. Say I'm wrong (which I absolutely might be) and this is all heavily chance operation stuff. The title is always deliberate. It has to be. Even "gadji beri bimba" was deliberate, because even though it's just yelping noises in place of words, it still frames the poem I am to read.
ReplyDeleteStill, I enjoyed your post a lot. It helped to form my understanding of Ashbery better than I could on my own.
Ashbery was influenced by Surrealism via say Raymond Rousseau but a question arises not whether the poem has some hidden 'theme' but as to what chance is. Can there be a completely absolute random event? This was probably not in Ashbery's thoughts as he wrote the above. It has fascinated me for about 26 years. But the titles give some possible clue. A. was an art critic and David's painting 'The Tennis Court Oath' preceded the Fr. Revolution (it wasn't for the actual bloody revolution that happened) so perhaps A. is the revolutionary poet and so on. Also America 'They dream only...' reminds of Whitman and democracy in a deeper sense and the Europe (where the revolution following that of the US happened). But a poem he once wrote ('The Nut Brown Maid' he said was compiled more or less randomly from the leavings of other poems. Another time he was reading Milton's 'Paradise Lost' and went to see the movie 'Daffy Duck in Hollywood' and he then dreamed that Daffy Duck was the devil. This somehow led him to read his poem. He was influenced by various aspects of culture and also by Stein, Auden, Wallace Stevens, Bishop and others.
ReplyDeleteAshbery was influenced by Surrealism via say Raymond Rousseau but a question arises not whether the poem has some hidden 'theme' but as to what chance is. Can there be a completely absolute random event? This was probably not in Ashbery's thoughts as he wrote the above. It has fascinated me for about 26 years. But the titles give some possible clue. A. was an art critic and David's painting 'The Tennis Court Oath' preceded the Fr. Revolution (it wasn't for the actual bloody revolution that happened) so perhaps A. is the revolutionary poet and so on. Also America 'They dream only...' reminds of Whitman and democracy in a deeper sense and the Europe (where the revolution following that of the US happened). But a poem he once wrote ('The Nut Brown Maid' he said was compiled more or less randomly from the leavings of other poems. Another time he was reading Milton's 'Paradise Lost' and went to see the movie 'Daffy Duck in Hollywood' and he then dreamed that Daffy Duck was the devil. This somehow led him to read his poem. He was influenced by various aspects of culture and also by Stein, Auden, Wallace Stevens, Bishop and others.
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