“In principle I am against manifestos, as I am also against
principles.” It is not hard to
tell that Tzara’s aim is to create carefully calculated contradictions
throughout his “nonsensical” work.
A member of a certain society whose members are hardly united, the
author writes, from what we can understand, to make a statement about the
social world in its present state.
As mentioned in class, Tzara’s goal may not have been to obfuscate or
confuse, but simply to stimulate thought in the minds of his readers. Stimulate he certainly does, with a
careful use of language and meaning that leave the layman’s head in a
tizzy.
One passage which struck me as entirely perplexing is as
follows:
“We are in search of
the force that is direct pure sober
UNIQUE we are in search of NOTHING
we affirm the VITALITY of every IN-
STANT”
Several elements of writing are at play in the short stanza,
including the author’s use of paradox, and capitalization. First and most notably, Tzara uses
capitalization in a way similar to Mallarme. A word presented in capital letters stands out from the
rest, providing a guiding force for the reader’s perception of the work. For example, when reading the series of
words “direct pure sober UNIQUE” the reader senses an intuitive climax upon the
last word and begins to understand the next word as the beginning of a new
idea. So it happens, the next
phrase “we are in search of NOTHING” also seems self-contained and seems to
have its own independent meaning.
When exploring meaning, these two short phrases present a very
interesting paradox with one-another.
“We are in search of the force that is direct pure sober Unique”—this
phrase seems (to me) to outline the human experience. After all, over the span of our lifetimes it seems that the
common denominator between all men is our search for meaning. This idea, however, is followed by
another that contradicts it entirely, insisting instead that what we search for
is actually nothing. I understood
this passage to have two possible meanings. The first of these two is the possibility that the word
“NOTHING” describes the author’s understanding of the “force” for which we all
search—as if to say that he has identified the force, and that it is
nothing. On the other hand, the
statement could be taken to exist as a direct contradiction of the first
phrase, explaining that we do not search for a force at all, but instead
actually search for nothing. Either
way, Tzara, in true Dada fashion, presents the reader with several possible
understandings of the work and leaves the ultimate meaning up for interpretation.
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